Return to Crystal Bridges

Hiram Powers, Proserpine, c. 1840, marble.
Tim Liddy, The Horror, 2014, enamel and oil on copper. On loan for State of the Art: Discovering American Art Now.
Leo Villareal, Buckyball, 2012, aluminum tubing clad with LED lights atop aluminum plinth. Loaned courtesy of the Madison Square Park Conservancy, Gering and Lopez Gallery, and Leo Villareal.
Jeila Gueramian, IT’S YOU (detail), 2014; crocheted quilting, batting, and LED lights. On loan for State of the Art: Discovering American Art Now.
Henry Kirke Brown, The Choosing of the Arrow, 1849, bronze.
Jamie Adams, niagaradown from the series, Niagara, 2013, oil on linen. On loan for State of the Art: Discovering American Art Now.
Randolf Rogers, Atala and Chactas, 1864, marble.
Adam Belt, Through the Looking Glass (James Webb Telescope Mirror), 2011; two-way mirror, mirror, wood, and LED lights. On loan for State of the Art: Discovering American Art Now.
Hiromi Mizugai Moneyhun; Moths 1, 5, and 7; 2013; hand-cut paper. On loan for State of the Art: Discovering American Art Now.
Gabriel Dawe, Plexus No. 27, 2014; thread, wood, and hooks. On loan for State of the Art: Discovering American Art Now.
Miki Baird, swatch…the weft and warp of red walker, 2010–12, 1/2″ x 1/4″ archival pigment prints. On loan for State of the Art: Discovering American Art Now.
Crystal Bridges Museum cafeteria with Jeff Koons, Hanging Heart (Gold/Magenta), 1994–2006, high chromium stainless steel with transparent color coating and yellow brass.
Jenny Holzer, Venice Installation: Gallery D (Second Antechamber) (detail), 1990, Italian marble tiles.
Elie Nadelman, Woman’s Head, before 1915, bronze. Alfred Stieglitz Collection.
Arthur Garfield Dove, Red Tree and Sun, 1929, oil on canvas. Alfred Stieglitz Collection.
Hamilton Poe, Stack, 2013; box fans, sombreros, and weighted plastic eggs. On loan for State of the Art: Discovering American Art Now.
Peter Glenn Oakley, Stack (2011) and Cassette Stack (2014), marble. Collections of North Carolina Museum of Art and Allen Thomas, Jr., on loan for State of the Art: Discovering American Art Now.
Museum exterior
Richard Estes, Reflections of the Woolworth Building, 2006, oil on board.
John James Audubon, Osprey and Weakfish, 1829, oil on canvas on hardboard. Collection of the National Gallery of Art, Washington, D.C., on loan for John James Audubon and the Artist as Naturalist.
Laurel Roth Hope, Biodiversity Suits for Urban Pigeons: Dodo II (foreground) and Biodiversity Suits for Urban Pigeons: Passenger Pigeon II (background); yarn, polyurethane, pewter, glass, epoxy, and walnut. On loan for State of the Art: Discovering American Art Now.
Museum exterior.
Norman Rockwell, Rosie the Riveter, 1943, oil on canvas.
Emma Marie Cadwalader-Guild, Free, c. 1876, basswood.
Dan Webb, Destroyer, 2012, carved fir. Private collection, on loan for State of the Art: Discovering American Art Now.
Jonathan Schipper, Slow Room, 2014; household objects and furniture, cables, pulley, and electric motor. On loan for State of the Art: Discovering American Art Now.
Charles Bird King, Wai-Kee-Chai, Crouching Eagle, c. 1824, oil on panel.
Jeila Gueramian, IT’S YOU (detail), 2014; crocheted quilting, batting, and LED lights. On loan for State of the Art: Discovering American Art Now.
Michael Menchaca, Index of Figural Archetypes and Recurring Pattern Ornamentation, 2013, digital prints. On loan for State of the Art: Discovering American Art Now.
Zoë Charlton, Dreamers and Builders from the series Festoon, 2012, collage and gouache on paper. On loan for State of the Art: Discovering American Art Now.
Museum exterior, with view of café.
All photos by Renée DeVoe Mertz. November 27–28, 2014.

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